A California appeals court on Tuesday overturned most of a 2017 jury verdict awarding Quincy Jones $9.4 million in royalties and fees from the Michael Jackson estate over the use of Jones-produced Jackson hits in the concert film “This Is It” and two Cirque du Soleil shows.The state’s 2nd District Court of Appeal ruled that the jury misinterpreted a contract that was the judge’s job to interpret anyway. It took away $6.9 million that jurors had said MJJ Productions owed Jones for his work on “Billie Jean,” “Thriller,” and more of Jackson’s biggest hits.The appeals court found that the jury wrongly granted Jones money from licensing fees, wrongly went beyond the 10% royalty rate Jones was owed for record sales, and incorrectly granted Jones money for remixes of Jackson’s master recordings.The court kept intact $2.5 million of the award, which Jones said he was owed for the use of his masters in “This Is It” and other fees.The court also rejected a counter-appeal from the 87-year-old Jones arguing that the trial court should have allowed him to make a claim of financial elder abuse.”While we disagree with portions of the Court’s decision and are evaluating our options going forward, we are pleased that the Court affirmed the jury’s determination that MJJP failed to pay Quincy Jones more than $2.5M that it owed him,” Jones’ attorney J. Michael Hennigan said in a statement.Jones, who was already a music business giant when he produced the classic Jackson albums “Off the Wall,” “Thriller” and “Bad,” had sought $30 million from the estate when he first filed the lawsuit in 2013.”Quincy Jones was the last person we thought would try to take advantage of Michael Jackson by filing a lawsuit three years after he died asking for tens of millions of dollars he wasn’t entitled to,” Jackson attorney Howard Weitzman said in a statement. “We knew the verdict was wrong when we heard it, and the court of appeal has completely vindicated us.”On the stand during the trial, Jones was asked by Weitzman whether he realized he was essentially suing Jackson himself.Jones angrily disagreed.”I’m not suing Michael,” he said. “I’m suing you all.”The trial centered on the definitions of terms in the two contracts Jackson and Jones signed in 1978 and 1985.Under the deals, for example, Jones is entitled to a share of net receipts from a “videoshow” of the songs. The Jackson attorneys argued that the term was meant to apply to music videos and not feature films like “This Is It.”The film was created from rehearsal footage for a comeback tour that Jackson was working toward when he died in 2009 at age 50.”So many people have tried to take advantage of Michael and mischaracterize him since his death,” Jackson estate co-executor John Branca said in a statement Tuesday. “It’s gratifying that in this case the court in an overwhelmingly favorable and just decision, recognizes that Michael Jackson was both an enormous talent and an extremely fair business executive.” 
 
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Amid the growing number of Zoom, Skype and other video interviews happening lately, a new form of entertainment has emerged: Judging the interior of other people’s homes. Tina Trinh reports.
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Danny Lin cruised his white sports car down Broadway, the bright lights of Times Square gleaming off his sharply detailed Audi R8. He looped through the tourist hotspot again and again, navigating around Corvettes, Mercedes, Mustangs and BMWs — a parade of high-priced vehicles gathered for a rare photo-op.”I never bring my car here,” said the 24-year-old from Queens. “Only for today, to get some cool shots.”From a star turn in “Taxi Driver” to the Naked Cowboy to the million people who crowd its streets on New Year’s Eve, the “Crossroads of the World” has for generations been an iconic New York backdrop in movies, culture and the arts. Now, Times Square has taken a turn toward Tokyo Drift, just without the “Fast and the Furious,” as car-loving New Yorkers flock to the barren streets of the theater district.Car mavens normally wouldn’t dare rev their engines in gridlocked Midtown, but they’re eagerly driving into Manhattan to take photos and show off for sparse crowds walking through the famed streets.  With the weather turning toward summer and restlessness settling in after six weeks of mandated social distancing, hundreds of automobile aficionados rolled down Broadway on Saturday night.”This is the only time we could come down here and take photos,” Lin said.  At least 100 pedestrians were wandering the area when the cars began roaring down Times Square’s main drag Saturday, along with dozens of motorcycles in one crew that created a deafening buzz. Police — some in cars, some on horseback — were mostly patient with the procession and only intervened if cars remained parked for too long.Some families with young children also drove through in minivans and SUVs, taking in Times Square as if touring neighborhood Christmas lights.Onlookers, mostly keeping six feet apart and wearing facemasks, cheered and took video from the sidewalks as suped-up cars and bikes went by.The area maintained some of its touristy quirks. A violinist with a glowing wand and blue hair played for tips, and a salsa-dancing couple put a camera phone on a tripod to record their performance. One woman wearing a leather leotard biked down Broadway a few times, cycling next to a giant van with a cameraman hanging out the passenger window to record as she sang and danced.By 11 p.m., sports cars were backed up for blocks along Broadway, and police closed the road from 47th Street down through Times Square, effectively ending the party.Car collectors have been driving into the area for weeks in smaller packs. Mike Hodurski and Steve Cruz brought their Chevrolet pickup trucks Wednesday night and took photos in front of a light-up American flag at the corner of Broadway and 43rd Street.  It was already Hodurski’s second trip to Midtown amid the outbreak. This time, the MTA bus driver brought a blue 1977 Chevy C10 pickup that he’d purchased earlier that day.”It’s a lot of fun. Might as well take advantage of it now, while nobody’s over here,” Hodurski said. “The streets are dead. You’d never get to see the streets like this. So we said, ‘You know what, screw it,’ and we all got together.”Hodurski is from Queens and Cruz from Brooklyn, and both said they usually avoid Times Square as much as possible — too many tourists and too much traffic. There was hardly anyone in the area when they cruised through Wednesday. They spent about five minutes in front of the flag before a cop asked them to keep moving.Andre Godfrey has driven his 2018 Ford Mustang — with glowing red shark teeth embedded in the grill — into Times Square twice. He and a buddy came around 3 a.m. last Thursday, when the area was completely empty, and pulled his car up onto a sidewalk for a glamour shot.  “Nobody bothered us,” Godfrey said. “There was one police officer down the street, like a crossing agent, and they didn’t really seem bothered by us on the sidewalk.”He came back Saturday after hearing from a friend that a crew of over 100 BMWs was heading toward the area. That caravan never got into Times Square — it arrived in Midtown shortly after police blocked off Broadway.”This is crazy,” Godfrey said. 
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South Korea reported just three new coronavirus cases Tuesday, while the country’s professional baseball league returned to action with a slate of games played in stadiums without fans.    Two months ago, South Korea was adding around 500 new cases each day, but used a series of measures, including aggressive testing and a smartphone app alerting people to nearby infections, to push down the spread of the virus.    Sports leagues all over the world were forced to put their seasons on hold amid stay-at-home orders and limits on public gatherings.    The Korea Baseball Organization is one of the first to resume play, and in a sign of the appetite for watching sports at this time, the league struck a deal to have some of its games broadcast on the U.S. cable sports giant ESPN in the middle of the night, U.S. time.    The U.S. National Football League is set to announce its schedule Thursday, but has decided to abandon plans to hold games this season in London and Mexico City.  New Zealand is also reporting promising progress with its second consecutive day of zero new cases.  Prime Minister Jacinda Ardern and Australian Prime Minister Scott Morrison said Tuesday they were working on a plan to reopen travel between the two countries, but cautioned it would take some time to put in place. New Zealand’s Prime Minister Jacinda Ardern briefs the media about the COVID-19 coronavirus at the Parliament House in Wellington, April 27, 2020.Monday brought cooperation from all over the globe on a European Union-led effort to raise more than $8 billion to fund the development of treatments and vaccines for COVID-19.  About 40 countries, philanthropic organizations and individuals pledged donations, including $1 billion from the European Commission, $1 billion from Norway, $800 million from Japan and more than $500 million each from France, Saudi Arabia and Germany.    The World Health Organization (WHO) praised the effort as a sign of international solidarity in the fight against the virus.    “This virus will be with us for a long time, and we must come together to develop and share the tools to defeat it,” WHO Director-General Tedros Adhanom Ghebreyesus said.   Notably absent was any participation from the United States.  French President Emmanuel Macron said he has held talks with President Donald Trump on the issue and that he is confident the United States will join the effort.    A senior State Department official said the United States is closely partnering with European allies, G-20 nations and the G-7 to respond to the coronavirus.  “The United States is in the process of providing $2.4 billion in global health, humanitarian, and economic assistance towards the COVID-19 response, and we continue to ensure that the substantial U.S. funding and scientific efforts on this front remain an essential and coordinated part of this worldwide effort against COVID-19,” the official told reporters in a briefing.    About 3.6 million people have been diagnosed with COVID-19 worldwide, and more than 250,000 have died. Britain’s Office of National Statistics reported the death toll Tuesday had surpassed 30,000.  That is roughly equal to Italy as the highest reported in Europe.  Globally, only the United States has reported more COVID-19 deaths with about 69,000.  In India, a day after the government eased lockdown restrictions in some areas, thousands of people flocked to liquor stores, prompting authorities to institute a special 70% tax starting Tuesday to deter the crowds. 
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Players for the U.S. women’s national team may have been dealt a blow by a judge’s ruling in their gender discrimination lawsuit against the U.S. Soccer Federation but the case is far from over.  The women have vowed to keep up the fight, encouraged by the likes of Joe Biden, Billie Jean King and even the men’s national team.  “This is just a setback,” King said when asked what she would tell the team. “There’s so many of these ups and downs. Just keep learning from it, keep going for it. You’re still such a great influence, not only in soccer, but for equality for everyone.”  King, who was calling for equitable prize money in tennis in the 1970s, once famously proclaimed: “Everyone thinks women should be thrilled when we get crumbs, and I want women to have the cake, the icing and the cherry on top, too.” The players sued the federation last year, claiming they have not been paid equally under their collective bargaining agreement to what the men’s national team receives under its labor deal. They asked for more than $66 million in damages under the Equal Pay Act and Title VII of the Civil Rights Act of 1964.  The federal judge threw out the players’ claim of discriminatory pay Friday in a surprising loss for the defending World Cup champions. U.S. District Judge R. Gary Klausner said the women rejected a pay-to-play structure like the men’s agreement and accepted greater base salaries and benefits.  But he allowed aspects of their allegations of discriminatory working conditions to go forward. The trial remains scheduled for June 16 in federal court in Los Angeles. Players have vowed to appeal the judge’s decision.  There are several legal options. Players could seek to overturn Friday’s decision at the 9th U.S. Circuit Court of Appeals and could even discuss with the USSF the possibility of a joint application for a stay pending appeal. They could proceed with a trial limited to working conditions such as flights, hotels and medical staff, then appeal Friday’s ruling. Or the sides could seek to settle, perhaps as part of a deal to replace and extend the current collective bargaining agreement, which expires on Dec. 31, 2021. On Feb 7, 2020 in Los Angeles, California, USA; Mexico defender Jimena Lopez (5) passes the ball while US midfielder Samantha Mewis (3) defends during the second half of the CONCACAF Women’s Olympic Qualifying soccer tournament.Biden, the presumptive Democratic presidential nominee, went to Twitter this weekend to encourage the players.  “To @USWNT: don’t give up this fight. This is not over yet. To @ussoccer: equal pay, now. Or else when I’m president, you can go elsewhere for World Cup funding,” he posted, referring to the 2026 men’s World Cup, set to be hosted by the United States, Mexico and Canada. The players’ association for the men’s national team also released a statement Monday expressing support. “For a year and a half the USMNT players have made proposals to the federation that would achieve equal pay for the USMNT and USWNT players,” the statement said. “We understand the WNT players plan to appeal last week’s decision and we support them.” Steven A. Bank, a professor at UCLA, said he was expecting Klausner’s decision on the summary judgment to focus the case but not to the degree it did.  “Frequently, judges will do that in order to narrow down the issues, but because it also spurs the parties to settle by essentially using a heavy hand and saying, ‘Hey, a lot of these things you have is fluff, so let’s get rid of this, and neither of you have as great a case that you think you do.’ So I’m not surprised that there was some level of summary judgment granted and some level denied,” he said. “But I was surprised that the judge came down with what is a fairly complete victory for U.S. Soccer.” In an appearance on ABC’s “Good Morning America” on Monday, Megan Rapinoe said she was shocked by the decision. She pointed out the women’s team was far more successful than the men, winning consecutive World Cup titles and playing more games.  “If I earn $1 every time I play, and a man earns $3, just because I win 10 games and he only wins three games, so I made $10 and he made $9, I’m not sure how that’s me making more money, while having to essentially win everything we could’ve possibly won over these last two years: two World Cups and just about every game we’ve played,” Rapinoe said. “For me, it missed the point, and was very disappointing, to be honest.” Arguments could be made that the team has already made its case in the court of public opinion. Following the U.S. victory in the World Cup final last year in France, the crowd chanted “Equal Pay” as the players celebrated on the field.  The women also drew support from some of U.S. Soccer’s most high-profile sponsors when the federation argued in court documents that the women lacked the skills and responsibilities of their male counterparts. The so-called scorched earth argument led to the resignation of USSF President Carlos Cordeiro, who was replaced by former national team player Cindy Parlow Cone.  “I think it’s great that they brought the case forward, because I think any visibility into this issue is just going to help further the cause, because it’s going to make more people sensitive and aware that the issue of unequal pay persists in all spectrums of our economy,” said Mary Ellen Carter, an associate professor of accounting at Boston College. “I happen to know it well in the executive space, but it’s not only there. So I think the courage that they had to come forward with the suit keeps the issue at the forefront, and I think that that’s important.” 
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The Anchorage Daily News and ProPublica won the Pulitzer Prize in public service on Monday for illuminating the sparse policing of many Alaska villages. The New York Times won the investigative reporting prize for an expose of predatory lending in the New York City taxi industry, while the staff of The Courier-Journal of Louisville, Kentucky, took the breaking news reporting award for unpacking racial disparities and other issues in a spate of governor’s pardons. And a first-ever award for audio reporting went to “This American Life,” the Los Angeles Times and Vice News for “The Out Crowd,” an examination of the Trump administration’s “remain in Mexico” immigration policy. The Pulitzer Prizes in journalism were first awarded in 1917 and are considered the field’s most prestigious honor in the U.S. The Pulitzer Prizes in journalism and the arts were announced Monday after being postponed by the coronavirus outbreak. The initial Pulitzer ceremony, which was scheduled for April 20, was pushed to give Pulitzer Board members who were busy covering the pandemic more time to evaluate the finalists. The awards luncheon that is traditionally held at Columbia University in May will be postponed as well. Details of a fall celebration will be announced at a later date, the Pulitzer Board said. The Pulitzer Prizes in journalism were first awarded in 1917 and are considered the field’s most prestigious honor in the U.S.  
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CBS News “60 Minutes” correspondent Lesley Stahl said Sunday that she’s finally feeling well after a battle with COVID-19 that left her hospitalized for a week.
Stahl said she was “really scared” after fighting pneumonia caused by the coronavirus for two weeks at home before going to the hospital.
“One of the rules of journalism is ‘don’t become part of the story,'” Stahl said at the end of Sunday’s broadcast. “But instead of covering the pandemic, I was one of the more-than-one-million Americans who did become part of it.”
Stahl, 78, is the dean of correspondents at television’s best-known newsmagazine. She joined “60 Minutes” in March 1991, and before that was moderator of the Sunday talk show “Face the Nation” and a Washington correspondent.
She landed the first television interview with Donald Trump after he was elected president, and the first with House Speaker Nancy Pelosi when she become speaker — both in 2007 and again in 2019.
Stahl said there was a cluster of “60 Minutes” employees with the virus. One “had almost no symptoms while others had almost every symptom you can imagine,” she said. “Each case is different.”
Stahl said she found an overworked and nearly overwhelmed staff when she was hospitalized but paid tribute to their care, and said she was wheeled out through a gauntlet of cheering medical workers when discharged.
“In the face of so much death, they celebrate their triumphs,” she said.
60 Minutes declined to name the hospital involved.
“Thanks to them, like so many other patients, I am well now,” she said. “Tonight, we all owe them our gratitude, our admiration and, in some cases, our lives.”
Stahl is arguably the most prominent television journalist to disclose they had the disease. CNN hosts Chris Cuomo and Brooke Baldwin have tested positive, the former continuing his prime-time show while fighting symptoms. ABC “Good Morning America” host George Stephanopoulos had it, but like many infected, had only mild symptoms.
The virus has infected 3.5 million people and killed more than 246,000 worldwide, including more than 66,000 dead in the United States, according to a count by Johns Hopkins University. Experts say the numbers are likely larger.
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The winningest coach in U.S. National Football League history, Don Shula, has died at the age of 90.His former franchise, the Miami Dolphins announced his death from their official Twitter account Monday, saying he died peacefully at his home in Miami. Their statement went to say “Don Shula was the patriarch of the Miami Dolphins for 50 years, He brought the winning edge to our franchise and put the Dolphins and the city of Miami on the national sports scene.”Shula played college football at John Carroll University in Ohio and was drafted to play in the NFL in 1951. Shula played defensive back for the Cleveland Browns, the Baltimore Colts, and Washington Redskins through 1957.He became a coach in the NFL in 1960, when he was hired as the defensive coordinator for the Detroit Lions. Three seasons later, the Colts hired Shula to serve as head coach – at 33, the youngest head coach in league history at the time.After the 1969 season, Shula signed to coach the Dolphins and quickly turned them into a dominant team. Miami went to the Super Bowl to cap the 1971 season, where they lost to the Dallas Cowboys. After that the team won Super Bowls in the next two seasons.  This included NFL’s only undefeated (17-0) season in 1972.The Hall of Famer remained the head coach in Miami through 1995, winning the coach of the year award four times. Shula finished with 328 regular-season wins and 19 playoff victories. His regular-season winning percentage translates to a victory rate of more than two out of every three games played.
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Idir, an Algerian singer who gave voice to the Berber and Kabyle cultures, has died in Paris. He was 70.Saturday’s death of the singer, whose real name was Hamid Cheriet, was confirmed on a post on his official Facebook page that read “we regret to announce the passing of our father (to all), Idir. Rest in peace.”French media report that he died from pulmonary disease after being hospitalized on Friday.Algerian President Abdelmadjid Tebboune paid tribute to him on Twitter, saying that “with his passing, Algeria has lost one of its monuments,” and referred to him as “an icon of Algerian art.”Idir was a national treasure in his native Algeria.Born on Oct. 25, 1949 in Ait Lahcene, near the Kabylie capital of Tizi Ouzou and part of French Algeria at the time, he studied to be a geologist, but his life took a twist in 1973 when he was called up as a last-minute replacement on the radio to sing “A Vava Inouva.” It was a lullaby with the “rich oral traditions” of the Berber culture and became a beloved song in the country.Idir moved to France in 1975, after finishing military service, where he recorded his first album, also titled “A Vava Inouva,” and a series of popular North African-style songs in the same decade.The style of his music, with lone vocals and acoustic guitar, championed the sounds of Kabyle music, and as such he was widely considered an ambassador of the Kabyle culture.The Berber-speaking Kabyle people are a sub-group of North and West Africa’s wider Berber ethnic population. In Algeria, the Kabyles are a minority that have historically been repressed by the central government and are indigenous to the north of the country, spanning the Atlas Mountains. Many Kabyle settled in France following the Algerian civil war. 
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Gil Schwartz, the longtime CBS communications executive who wrote humorous novels and columns under the pen name Stanley Bing, has died. He was 68.  CBS representatives said Sunday that Schwartz died Saturday at his home in Santa Monica, California. His death, they said, was unexpected, but due to natural causes.  Schwartz had a distinguished nearly 40-year career in corporate America with CBS, Viacom and Westinghouse Broadcasting. He retired in 2018 from his post as senior executive vice president and chief communications officer of CBS Corporation.But unlike most of his peers, Schwartz had a once-secret and then public side career as a lauded humorist and writer of 13 books who satirized the business world he was part of. Under the pseudonym Stanley Bing, Schwartz wrote a column in Esquire for 13 years and then in Fortune. One, “Executive Summary: Stanley Bing,” from 1991, describes an unwelcome 40th birthday in the style of a corporate presentation.  “You’ll have to excuse me if I sound a little morose. I am morose,” he wrote. “This corporation recently celebrated its fortieth anniversary of operations. Quite a few parties were held in its honor, and they succeeded in getting this speaker somewhat depressed in the way that only enforced merriment truly can.”Although he was able to hold the dual identities in secret for a while, in the 1990s, it became “the most poorly held secret in the media business.””Bing’s” books included “Crazy Bosses: Spotting Them, Serving Them, Surviving Them,” “You Look Nice Today,” “Lloyd: What Happened,” and “Immortal Life: A Soon to Be True Story.”Born in New York City in 1951, Schwartz studied theater arts and English at Brandeis University. He was a renaissance man: A poet, playwright, actor, guitarist and photographer of birds, food and travel.  Schwartz is survived by his wife of 14 years, Laura Svienty, two children, two step children and two grandchildren. The statement says a memorial service will take place in the fall. In lieu of flowers, the family requests anyone seeking to honor Schwartz donate to lafoodbank.org, foodbanknyc.org  or sfmfoodbank.org. 
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Two of Bollywood’s biggest directors teamed up with charity Give India to present a virtual fundraising event on Sunday. Much like the “One World Together at Home” event coordinated by Lady Gaga earlier this month, Indian directors Karah Johar and Zoya Akhtar hosted a livestream including dozens of actors and musicians to raise money for India’s fight against the COVID-19 pandemic. World-renowned actors such as Shahrukh Khan and musicians including A.R. Rahman performed and gave inspiring speeches in the Facebook Live event, dubbed the iFor India concert, that was streamed by thousands of people around the world. Mick Jagger, Joe Jonas and Mindy Kaling were also taking part. Organizers hope the event will raise over a million dollars. “100% of all proceeds of #IForIndia will go to GiveIndia’s Covid 19 relief efforts. This will help provide PPE kits to healthcare workers and food, rations, and cash relief to daily wagers and migrant workers,” a description under the event’s livestream read.The virtual event comes as India recorded the highest one-day spike in new cases, having reported over 2600 new positives on Saturday, according to national news. India has confirmed COVID-19 cases have surpassed 40,000 and the death toll is over 1300, according to the Johns Hopkins Coronavirus resource center. Late last week, India announced that it would extend its lockdown — one of the strictest in the world — another two weeks. 
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A young Egyptian filmmaker imprisoned for directing a music video critical of President Abdel-Fattah el-Sissi has died in a Cairo jail, his lawyer said Saturday.Shady Habash, 24, died in Tora prison, said lawyer Ahmed al-Khawaga, who was unable to give a cause of death.”His health had been deteriorating for several days. … He was hospitalized, then returned to the prison yesterday evening, where he died in the night,” he told AFP, without giving further details.Habash was detained in March 2018, accused of “spreading fake news” and “belonging to an illegal organization,” according to the prosecution.He was arrested after having directed the music video for the song “Balaha” by rock singer Ramy Essam.The song’s lyrics lambast “Balaha” — a name given to el-Sissi by his detractors in reference to a character in an Egyptian film known for being a notorious liar.Essam gained popularity during the popular revolt against then-President Hosni Mubarak in early 2011. He has since gone into exile in Sweden.The video has had more than 5 million views on YouTube.Died of ‘negligence’The Arabic Network for Human Rights Information (ANHRI) said in a Twitter post that Habash died as a result of “negligence and lack of justice.”Human rights groups have regularly highlighted poor prison conditions in Egypt.Since early March, because of the novel coronavirus pandemic, authorities have suspended visits and the work of the courts, further isolating detainees.”Due to the measures taken against the coronavirus, no one has been able to see [Habash]” recently, said Khawaga.Habash himself warned of his predicament in October, in a letter posted Saturday on Facebook by activist Ahdaf Soueif.”It’s not prison that kills, it’s loneliness that kills. … I’m dying slowly each day,” he wrote.Fearing the spread of the virus in overcrowded prisons, human rights defenders have called for the release of political prisoners and detainees awaiting trial.According to several NGOs, an estimated 60,000 detainees in Egypt are political prisoners, including secular activists, journalists, lawyers, academics and Islamists arrested in an ongoing crackdown against dissent since the military’s 2013 ouster of Islamist President Mohamed Morsi.
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Two of India’s most beloved movie stars, Irrfan Khan and Rishi Kapoor, died within a day of each other this week, and though they came from two very different worlds and two very different schools of acting, both leave behind a treasure of cinematic work and millions of grieving fans.
This double whammy for India’s Hindi-language film industry, known as Bollywood, comes amid a crippling coronavirus lockdown that has brought the entertainment business — along with so much else — to a complete halt.
“It seems we are in the midst of a nightmare,” popular actor Akshay Kumar tweeted.
In normal times, the funerals for two of Bollywood’s most-admired actors would mean tens of thousands of fans gathering to bid them goodbye. Instead, their ceremonies were held in the presence of a handful of family and friends, surrounded by police.
The 54-year-old Khan died Wednesday after battling a rare cancer, while the 67-year-old Kapoor had leukemia and died Thursday.  
The career trajectories of both actors reflect the changing contours of Bollywood, which in the past traversed two parallel streams of arthouse cinema and commercial films. The growing acceptance and box-office viability of content-driven films over the last two decades gave the two a chance to cross paths and act in movies that were both critically acclaimed and popular.
 
A trained stage actor, Khan started his career with television and found work in new-age Bollywood, which was experimenting with visceral themes reflecting India’s social and political fault lines in the 1990s.  
It took years of roles in small films before Khan made it to the Bollywood big leagues. Balancing arthouse movies with popular commercial fare, Khan went on to play a wide array of roles including an intensely tormented lover in “Maqbool,” an adapation of “Macbeth,” and a gentle immigrant in Mira Nair’s “The Namesake.”
Unlike other Bollywood superstars with mega-stylized personas, the versatile Khan brought a rare intelligence and empathy to his characters over his 30-year career.
“He managed to walk off the screen and come home with us,” wrote film critic Shubhra Gupta in the Indian Express newspaper.
One of the best-known Indian faces in world cinema, Khan crossed over to Hollywood with ease, playing a variety of parts in movies like “Slumdog Millionaire,” “Life of Pi” and “The Amazing Spider Man.”
The Academy of Motion Picture Arts and Sciences said in a tweet that Khan was an ” incredible talent” and “left his imprint on global cinema.”  
“Gone too soon. When he is on screen, you can’t take your eyes off of him. He lives on in his films,” tweeted Hollywood filmmaker Ava Duvernay.
Kapoor’s cinematic journey could not have been more different.
Kapoor was a third-generation actor, born with showbiz in his blood. His grandfather Prithiviraj Kapoor and father Raj Kapoor were legendary actors of their time.  
Rishi Kapoor started young, receiving the National Award, India’s preeminent film award, for his role as a child artist in his father’s 1970 film “Mera Naam Joker.”
“Acting was in my blood and there was simply no escaping it,” Kapoor wrote in his 2017 autobiography.
The runaway success of the teenage romance “Bobby” in 1973 made him a Bollywood heartthrob and a string of romantic, musical blockbusters followed.  
The charming lover boy of the 1970s and 1980s went on to become one of the most dependable actors of his time and appeared in some of Bollywood’s most-loved films, including “Amar Akbar Anthony” and “Chandni.”  
To be in sync with contemporary filmmakers moving away from melodrama and mining plot-driven stories, Kapoor refashioned his career in later years to play a variety of strong character roles. His portrayal of an old man in the 2016 movie “Kapoor & Sons” and as a Muslim man forced to prove his patriotism in “Mulk” in 2017 won him great acclaim. His most recent movie “The Body” was released last year.
“There may not be another actor who grew up and grew old on camera,” tweeted film critic Uday Bhatia.
In his final years, Kapoor became a popular presence on social media, and was refreshingly honest about his opinions. In his last tweet on April 2, he appealed to people to respect the work frontline health workers were doing.
“We have to win this Coronavirus war together,” Kapoor wrote.
Altogether Kapoor acted in more than 100 movies in a career spanning more than 40 years.
“He smiled on screen and the world outside became a little bit lighter,” film critic Baradwaj Rangan wrote in a tribute. “He gave us joy.” 
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NASCAR announced Thursday that it will resume its season without fans starting May 17 at Darlington Raceway in South Carolina with the premier Cup Series racing three more times in a 10-day span.  NASCAR joins the UFC as the first major sports organizations to announce specific return to play plans since the coronavirus pandemic shut down U.S. sports in mid-March.  “NASCAR and its teams are eager and excited to return to racing, and have great respect for the responsibility that comes with a return to competition,” said Steve O’Donnell, NASCAR executive vice president and chief racing development officer. “NASCAR will return in an environment that will ensure the safety of our competitors, officials and all those in the local community. NASCAR’s revised schedule goes only through May and has a pair of Wednesday Cup races, fulfilling fans longtime plea for midweek events. The first race is scheduled for Darlington, NASCAR’s oldest superspeedway, followed by a second race at the 70-year-old, egg-shaped oval track three days later.  Charlotte Motor Speedway will then host the Coca-Cola 600 on May 24 to mark 60 consecutive years the longest race on the NASCAR schedule will be held on Memorial Day weekend. The track in Concord, outside NASCAR’s home base of Charlotte, will then host a Wednesday race three days later.  There will also be lower-tier Xfinity and Trucks series races at the two tracks. The North Carolina governor has said the the Charlotte races can be held as long as health conditions in the area do not deteriorate. “This has been a proactive effort to put our motorsports industry back to work and boost the morale of sports fans around the world, while at the same time keeping the health and safety of all who will be on site the top priority,” said Marcus Smith, president and CEO of Speedway Motorsports. He said “sports fans around the world need this, a return to some sense of normalcy with live sports on TV, and NASCAR is uniquely positioned to deliver it from a competition standpoint.” NASCAR has set guidelines to safely hold the events using CDC guidelines on social distancing and personal protective equipment. Only essential personnel will be permitted to attend the events, and cloth face masks will be required. The entire venue will be used to maintain distancing in garage stalls and where the haulers are parked.  NASCAR suspended its season March 13 with only four of its 36 scheduled races completed. The stock car series, heavily reliant on television money and sponsor payments, has vowed to complete its full schedule. The revised schedule for now stays at tracks within driving distance of Charlotte-based race teams and in states that have started reopening.  “Darlington is one of the most iconic and historic tracks in the sport and will be a tremendous backdrop when NASCAR returns to racing,” said track President Kerry Tharp, who noted the track will now have three Cup races in one season for the first time in its history.  Darlington is also scheduled to open the playoffs with the Southern 500 on Sept. 6. Because the track now has two additional dates, NASCAR will lose two Cup races from its other properties. The same goes for Speedway Motorsports, which gained one additional race so far and will have to forfeit one at another facility.  Almost all teams began returning to their shops this week with either a reduced initial workforce or in split shifts. Now that NASCAR has told the teams where it will be racing this month, they can start preparing cars suitable for the two tracks.  Although Florida and Texas invited NASCAR to compete in those states without spectators, the sanctioning body is holding off on scheduling events at tracks that require air travel and hotel accommodations. 
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The Army’s top leaders on Thursday defended their decision to bring 1,000 cadets back to the Military Academy at West Point for graduation, where President Donald Trump is slated to speak, saying that despite the coronovirus risk students would have had to return anyway to prepare for their next duty assignment.
The announcement has been criticized as a political move to get Trump on stage at the academy, where he hasn’t yet given a graduation address. But Army officials said the students must return for final medical checks, equipment and training.  
“We can’t telecommute to combat,” Gen. James McConville, the chief of staff of the Army, told Pentagon reporters when asked about the decision, which forces cadets spread out across the U.S. to travel, risking exposure on public transportation, and then land in New York, a coronavirus hot spot.
Cadets have been home since spring break in March, with their return to school delayed because of the outbreak. Only the seniors will return, and the graduation is set for June 13.
Lt. Gen. Darryl Williams, academy superintendent, said the students must return for medical and other required tasks that can only be done at the academy before they can be turned over as new officers to the Army.
He said the school will create a “safety bubble” around the cadets and build a staging base where they will arrive. All cadets will be screened and tested for the virus at the staging area and then separated into five groups that will eat and live separately. They will be quarantined for 14 days.
 
Williams said Keller Army Community Hospital at the base now has all the needed testing equipment, and was converted to be able to handle and quarantine virus patients.
Asked if cadets will face discipline if they can’t or don’t want to come back because of the virus, he said commanders will decide on a case-by-case basis.
U.S. Sen. Tammy Duckworth, D-Ill., a member of West Point’s Board of Visitors, said she expressed her concerns about the decision to Army Secretary Ryan McCarthy in a call this week.
“Trump’s reckless decision to gather 1,000 Cadets at West Point for a speech puts our future military leaders at increased risk — all to stroke his own ego,” said Duckworth, a retired Army helicopter pilot, who served in the Iraq war and received a Purple Heart.
McCarthy told reporters the Army wants to have a “small, safe graduation ceremony” for the cadets to celebrate.
In contrast, the U.S. Naval Academy has announced it will hold a virtual graduation and postpone other traditional milestone events until large-scale gatherings are allowed. The academy’s superintendent, Vice Adm. Sean Buck, called it a difficult decision but necessary “to safeguard the health and welfare of the entire Naval Academy family and local community.”
The U.S. Air Force Academy opted to hold a scaled-down ceremony with hundreds of graduating cadets sitting in chairs eight feet apart on the school’s parade field, instead of in its stadium. The ceremony was closed to visitors.
West Point’s graduation ceremonies are usually held in May in a football stadium.
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Veteran Bollywood actor Rishi Kapoor died Thursday in Mumbai after battling leukemia for two years.   
 
The 67-year-old star, who made his debut as a child actor in “Mera Naam Joker,” (My Name is Joker) went on to win the hearts of millions of fans with a teenage love story, “Bobby” in 1973.
 
The news of his death was a double blow for the Bollywood Hindi movie industry and its tens of millions of fans – Kapoor passed away a day after another acclaimed actor, Irrfan Khan, succumbed to cancer.   
 
Kapoor had undergone treatment in a New York hospital for almost a year before returning to India last September. He was admitted to a hospital in Mumbai on Wednesday.
 
“The doctors and medical staff at the hospital said he kept them entertained to the last. He remained jovial and determined to live to the fullest right through two years of treatment across two continents,” Kapoor’s family said in a statement.
 
Kapoor was a third-generation actor in a famed Bollywood family that has played a dominant role in the industry.   
 
During a career that spanned nearly five decades, he made a mark as a romantic hero during his earlier films but transitioned to a much-acclaimed character actor in the past decade. He last starred in a film “102 Not Out” released in 2018.
 
Tributes poured in from veteran actors and his fans on social media. Bollywood’s most iconic star, Amitabh Bachchan tweeted “I am destroyed.”
 
“Multifaceted, endearing and lively, this was Rishi Kapoor,” Prime Minister Narendra Modi wrote on Twitter.   
 
“This is a terrible week for Indian cinema, with the passing of another legend, actor Rishi Kapoor,” Congress Party leader Rahul Gandhi tweeted.
 
With India in a strict lockdown due to COVID-19, Kapoor’s family appealed to the public to follow the rules in force and said “he would like to be remembered with a smile and not with tears.”
 
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The six-year fan campaign for a standalone Black Widow movie was paying off: At long last, a film would put Scarlett Johansson’s popular Avenger front and center. And, like many of Marvel’s biggest spectacles, it was set to open the weekend of May 1.  “Black Widow” was to kick off what promised to be a typically lucrative summer moviegoing season, which runs from Memorial Day through Labor Day and generally accounts for $4 billion, nearly 40% of the yearly North American box office. And there was a lot more to look forward to: Tom Cruise’s return to one of his most iconic roles; a “Wonder Woman” sequel; original fare from Christopher Nolan and Wes Anderson, and more. Then the unthinkable happened.Now modern Hollywood is faced with a gutted summer season that at the very earliest will kick off months late — and even that is changing by the minute. On Monday, Judd Apatow’s Pete Davidson movie “The King of Staten Island” switched to a June 12 home video  release, following in the path of Disney’s “Artemis Fowl,” out on Disney Plus June 12, and Warner Bros.’ “Scoob!” available May 15.No blockbusters until JulyA few states are talking about allowing movie theaters to reopen soon — Texas as early as Friday. But no major blockbusters are set to open until mid-July. The first is Christopher Nolan’s thriller “Tenet,” a Warner Bros. film, which has ardently stood its ground on July 17. Shortly afterward, Disney plans to open “Mulan” on July 24, four months after its original date. And then comes “Wonder Woman 1984” on August 14, two months later than planned. It’s something, but it’s still a shell of what summer 2020 at the movies was supposed to be.  “We’re down 50% right now,” said Comscore senior media analyst Paul Dergarabedian. “If theaters open in mid-July it’ll offset some of the really disastrous models. But it would be naive to think that we’re going to make up all that box office.”Studios have depended on massive revenues from the summer months for decades, but in recent years they have discovered that movies can do blockbuster numbers in nearly any month.  That will be tested with Hollywood’s massively revamped schedule. Wes Anderson’s “The French Dispatch” will open on October 16, “Black Widow” will get her day on November 6; and “Top Gun: Maverick” is now set for Christmastime.Some films abandoned 2020 entirely, including the “Fast and Furious” movie “F9”; the Dwayne Johnson-Emily Blunt adventure “Jungle Cruise”; and “Ghostbusters: Afterlife,” which were all pushed to 2021.FILE – A person walks across a street as a marquee displays a message that a movie theater is temporarily closed because of the coronavirus outbreak, March 31, 2020, in downtown St. Louis.It’s not as simple as just allowing venues to reopen. Theaters need new movies to show and the biggest on the horizon, “Tenet,” is still almost three months away.”The movie theater industry is also a national one,” the National Association of Theatre Owners said in a statement. “Until the majority of markets in the U.S. are open, and major markets in particular, new wide-release movies are unlikely to be available.”The nation’s largest movie theater chain, AMC, which operates over 630 theaters in the U.S., said in a statement that in order to reopen it needs “a line of sight into a regular schedule of new theatrical blockbusters that get people truly excited.”AMC said it would open in the weeks ahead of blockbusters like “Tenet” and “Mulan” using “creative programming” of previously released films.Eric Wold, a Wall Street analyst for B. Riley FBR, said there’s simply a lot of uncertainty about when theaters can open, what the guidelines will be and how moviegoers will respond.’There’s no rush'”Do you open now and show ‘Jaws’ and ‘Harry Potter’ and older titles? Or are people going to say, ‘I can watch that at home’?” Wold said. “I think [theaters will] be smart and wait. There’s no rush. You might as well wait until June and see how it goes and slowly open from there.”  Should restrictions stay in place longer, Wold said, the bigger chains have raised enough cash to last to at least until Thanksgiving for AMC, and even into 2021 for Cinemark, with no revenue coming in.  “Black Widow” will still have her day in the sun, even if it is in November, and all of the movies will eventually come out in one form or another. On Tuesday, theater owners and Universal squabbled over “Trolls World Tour’s” straight-to-video-on-demand strategy and what it means for the future of theatrical windows.  But perhaps the turbulence of the lost 2020 summer movie season will result in some strategic rethinking — at least that’s what film critic and “Unspooled” co-host Amy Nicholson hopes.”For decades, the major studios have wandered away from producing mid-budget comedies and adult dramas to gamble their money on gargantuan summer blockbusters,” said Nicholson. “I’d love to see the industry recover by greenlighting an eclectic slate of $5 million-to-$15 million flicks that could make moviegoing fun again. Time to swap out financial risks for creative risks.”
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The most controversial movie of the year is … “Trolls World Tour”? As innocuous as the rainbow-colored, music-blaring animated movie may seem, the digital release of the “Trolls” sequel has caused a storm to course through the movie industry. Just as the pandemic worsened and movie theaters were shuttering, Universal Pictures shifted the film’s release to video on demand, leading a charge straight through the theatrical window. Universal calls the “Trolls World Tour” digital release a success and suggests it may be the beginning of a sea change in how movies are released. Theater owners strenuously disagree. AMC Theaters, the largest chain in the United States, is signaling an all-out war, saying it will no longer show Universal movies.  While few anticipated a skirmish would come over a glitter explosion like “Trolls World Tour,” it has been long in coming. Netflix, Amazon and other streaming services have in recent years broken the industry’s traditional theatrical window of 72-90 days (and thus had their films excluded from major theater chains), and the major studios have sometimes been tempted to try their own luck and head straight to homes.  FILE – Jeff Shell, NBCUniversalOn Tuesday, NBCUniversal CEO Jeff Shell told The Wall Street Journal  that the digital release for “Trolls World Tour” has gone well enough to demonstrate the viability of direct-to-home releases. He promised that even once theaters reopen, “We expect to release movies on both formats.”  The Journal reported that in three weeks of $20 on-demand rentals, “Trolls World Tour” has grossed about $95 million. The studio, which normally splits sales approximately in half with theaters, pocketed about $75 million of that. A spokesman for Universal did not dispute those figures.  By comparison, 2016’s “Trolls” grossed $116 million in U.S. and Canada and $346.9 million worldwide. The sequel cost a reported $90 million to produce, not including marketing costs that likely exceeded $50 million.Pandemic-era fluke?Whether that performance constitutes a “hit” or merely an intriguing pandemic-era experiment has been the subject of much debate. Under stay-at-home orders, the country’s moviegoers are on lockdown. “Trolls World Tour” benefited by being the first such release during the crisis. And even in those extreme circumstances, it’s made significantly less than the original film did. The rentals may have also eaten into other “downstream” home entertainment revenue sources.  “Universal does not have reason to use unusual circumstances in an unprecedented environment as a springboard to bypass true theatrical releases,” said John Fithian, president and chief executive of the National Association of Theatre Owners. He touted the irreplaceable “beloved immersive, shared experience” of seeing a film in a theater, adding that many families would have flocked to “Trolls” if “the world had not been sequestered at home.” AMC threatAMC Theaters went further. CEO Adam Aron said his company would sever relations with Universal, effective Tuesday. He insisted the policy would continue once theaters reopened, would apply to its venues around the world and “is not some hollow or ill-considered threat.” FILE – Adam Aron, AMC TheatersAron said AMC would do the same to any distributor that “unilaterally abandons current windowing practices absent good faith negotiations between us.”  He declared absent further discussions, “decades of incredibly successful business activity together has sadly come to an end.”Late Tuesday, Universal responded it was disappointed with the AMC and NATO statements.  “We absolutely believe in the theatrical experience and have made no statement to the contrary,” Universal said, adding it would consider video on demand “when that distribution outlet makes sense.” Universal has been bolder than other studios. A day earlier, Universal said it would steer another upcoming release, the Judd Apatow comedy “The King of Staten Island,”  to on-demand. It also quickly brought movies like “The Hunt” and “Emma,” released in theaters just before the shutdown, to on-demand.Embracing streamingBut the studio isn’t the only one experimenting.  Warner Bros. will make the Scooby-Doo film “Scoob!”  available for digital rental next month instead of waiting for theaters to open. The Walt Disney Co. is steering “Artemis Fowl” to its Disney Plus streaming service. Other studios have simply sold movies to streaming services. Netflix acquired the Paramount Pictures comedy “Lovebirds,” once planned for a spring theatrical release.  Even the Academy of Motion Picture Arts and Sciences has been forced to embrace streaming. On Tuesday, it announced  it will allow films without a theatrical release — long a hot-button issue for the Oscars — to contend at next year’s Academy Awards.  Meanwhile, theater chains are struggling with the losses incurred by an open-ended shutdown. AMC earlier this month issued a $500 million debt offering to keep itself afloat. It has furloughed some 26,000 employees as well as executives, including Aron.  But it remains to be seen if on-demand is a box-office replacement or merely a useful Band-aid in unprecedented times. Would a more expensive movie be able to compensate for $500 million in box office? Or $1 billion? For now, only the likes of “Trolls,” “Scoob!” and “Artemis Fowl” are testing the waters. The largest movies, including the Disney-Marvel release “Black Widow,” the James Bond installment “No Time to Die” and “Wonder Woman 1984,” are waiting it out.  Also on hold: Universal’s “F9,” which moved from this summer to next year. The other nine films in the “Fast & Furious” franchise have collectively grossed nearly $6 billion in worldwide box office.  
 
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Swiss investigators concluded Sepp Blatter knew that a World Cup broadcasting contract was breached illegally and that it would cost FIFA millions of dollars, according to a federal police file obtained by The Associated Press.
Investigation reports sent to prosecutors in December and January showed FIFA wrote off a $3.8 million debt from a Caribbean TV deal signed in 2005 by then-FIFA president Blatter and long-time vice president Jack Warner. The deal was later alleged to have been illegally mismanaged by Blatter.
“Blatter acted … more in the interests of Warner than in the interests of FIFA,” concluded one investigation file seen by the AP.
However, the office of Switzerland’s attorney general decided in March it would drop a criminal proceeding  from 2015 against Blatter for the Caribbean deal. No reason was stated.
Swiss federal police believed Blatter knew in 2007 that Warner had breached — and would personally profit from — a Caribbean rights deal for the 2010 and 2014 World Cups that was sold to a Jamaica-based broadcaster.
Details of the original FIFA contract were revealed by Swiss media in September 2015, showing a $600,000 sale to the Warner-controlled Caribbean Football Union.
At the time, FIFA defended the contract by saying it required soccer’s governing body to get a 50% profit share of any future licensing arrangement. The re-sale was valued at about $15 million.
But FIFA did not try to collect money due in August 2010 within 30 days of the World Cup ending, according to the Swiss police file.
The investigation cited documents and staff emails showing FIFA was due half of any gross revenue from the Caribbean deal, into which Warner had inserted a company he owned.
“FIFA were very reluctant to implement any measures in connection with enforcing their rights against the CFU,” Swiss police said in its 491-page report.
FIFA calculated it was owed almost $3.8 million in 2011 after Warner resigned from soccer. He had been implicated in bribing Caribbean voters to oppose Blatter in that year’s FIFA presidential election.
Only then did FIFA management terminate the Caribbean rights and pursue the debt, though not directly with Warner. Instead, it asked the CFU, which had few assets after Warner left.
FIFA wrote off the debt weeks later, the police file showed. It included $3.625 million of estimated revenue from broadcasting sponsors and advertising, and $155,000 of unpaid rights fee instalments, the investigation file said.
A different police report detailed more than 15 years of FIFA’s working relations with Warner. It suggested FIFA granted favors and gifts in apparent exchange for election support to help Blatter retain the presidency.
Blatter, who is now 84 and banned from soccer until October 2021, did not immediately respond to a request for comment. He has long denied wrongdoing.
Blatter faces a second criminal proceeding over a $2 million payment he authorized in 2011 to former UEFA president Michel Platini. That payment was revealed by Swiss authorities in September 2015 and led to both men being suspended and then banned from soccer.
Swiss investigations of Blatter are handled by a second prosecutor who took over after the federal office’s head of financial crimes had his contract terminated in November 2018.
Attorney general Michael Lauber was recused from FIFA cases last year. He was disciplined in March  after having secret meetings with current FIFA president Gianni Infantino and failing to tell the truth about them.
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Veteran Bollywood actor Irrfan Khan, who rose to international acclaim with roles in such films as “Slumdog Millionaire” and “Life of Pi,” has died at the age of 54.A spokesman said Khan died Wednesday in a Mumbai hospital where he had been admitted earlier this week for a colon infection.  Khan sought treatment in Britain after he was diagnosed with a rare form of cancer in 2018.The native of India’s western desert state of Rajasthan broke into the Indian film industry in 1988 in the Academy Award-nominated drama “Salaam Bombay.”  Khan went on to star in a number of notable Bollywood films, including “The Namesake” “The Lunchbox” and “Paan Singh Tomar,” which earned him India’s National Film Award for best actor in 2012.In addition to “Slumdog Millionaire,” which won the 2008 Acadamy Award for Best Picture, Khan appeared in such Hollywood films as “The Amazing Spider Man,”“Jurassic World” and “Inferno.”His most recent role was the Bollywood film “Angraezi Medium,” a sequel to his hit 2017 film “Hindi Medium.” The new movie was released before India was placed under a nationwide lockdown due to the coronavirus pandemic.  
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He winds up and throws the apple core, aiming for the woods where he hopes a tree will grow. He overshoots his mark. It bounces across the hill of the next-door neighbors’ yard. “I’ll get it,” he says. But in these days of isolation and distance, that is a dicey proposition.Almost furtively, he scurries across the property line. He does not find it. I tell him that he must email the neighbors.For his email, he chooses the subject “Apple Issue.” He writes: “In this time of crisis, it is understandable that you wouldn’t want to touch a saliva-covered fruit. Therefore, if/when you find the apple core, if you would let me know, I would take it back.”He is 13. His name is Wyatt. He is my younger son. Other than his immediate family, he has not come within 20 yards of anyone he knows for nearly two months.My father was a naturalist. Much more, sadly, than I’ve ever been. He planted on our family property well into his mid-80s, when his knees could no longer take it.When I was little, he took me around the land that my wife and I now own, pointing out trees and identifying them as we walked through the backyard woods down to the rushing creek and back.He’d hand me sassafras leaves to chew and show me wild blackberry bushes to pick from. Today, on the property I inherited from my parents, a ginkgo tree — his favorite — looms over the front walk.After he died, I opened one of his reference books, “The Book of Trees.” Tucked carefully into the appropriate pages were dried leaves from his woods excursions.On his side, we come from a long line of cultivators — Ohio farmers, New York farmers, yankee farmers. My sister followed in their footsteps, to a fashion, becoming a molecular biologist after a thesis entitled “Dwarf Plants Produced from Treated Seeds.”Not me. I’m not a lawn-and-garden guy. The closest I’ve ever come to planting something was when I buried a crock of kimchi in the back yard in 1981, hoping it would ferment. That was the last we saw of it.An apple core-related email arrives from next door.”I suspect the deer will find and eat it before I find it. If I do come across it, I will let you know.”And: “If you want an apple tree to grow, I would suggest digging a small hole (2” deep) for each core and covering it with dirt. This is a good time of year to plant.”My son promptly eats another apple. Then he requests a shovel. He darts outside, ponders, picks a spot. He digs a tiny hole. He comes back in. Part of him seems 70. Part of him seems 7. “Dad, want to see me drop the apple core into the hole?”We trudge across the soaked lawn. Silently, I chastise myself for not being better at this stuff. I look over my shoulder at the south side of the house, at the narrow strip where my father grew peas in the 1980s and lost his wedding ring while attempting to cultivate cilantro in the 1990s. His green plastic wheelbarrow is still there. I’ve never moved it.The sassafras tree died during Reagan’s first term. The blackberry bushes disappeared while I was in college. The creek is still there, now usually dry.But now we have an apple core in the ground. Now we wait. Now, in this season of stagnation, there is growth to contemplate.I see myself coming back decades from now. Walking slowly across a better-kept lawn. Reaching up. Picking an apple. Taking a bite. Saying to a man now taller than me: “Hey, Wyatt. Remember the virus?”
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Actress Olivia Cheng was recently volunteering in Vancouver when she says she witnessed a man drive up to an elderly Chinese woman, roll down his window and yell, “This is your fault!” before throwing trash at her.The incident enraged Cheng, and also served as another reason why she feels it’s so important for celebrities of Asian descent to use their voices and speak up against anti-Asian attacks, which authorities say are increasing during the coronavirus pandemic.”I don’t think we can pretend that this isn’t happening,” Cheng, who stars in “The Stand” on CBS All Access, said in a recent interview with The Associated Press. “For now, it would not be unwise to be a little more careful, to maybe have buddy systems when possible to go get your groceries if you’re not feeling safe.” The FBI reports there has been an uptick in hate crimes and harassment against Asian Americans since the outbreak of COVID-19, which first appeared in Wuhan, China, late last year.Some people have blamed China and Asians in general for the spread of coronavirus; President Donald Trump at times has called it the “Chinese virus.”In New York, state Attorney General Letitia James has set up a hotline to report harassment or other targeted crime. Some of those incidents have been filmed and posted online.Tzi Ma arrives at the Los Angeles premiere of “Mulan” at the Dolby Theatre on Mar. 09, 2020.”Tigertail” star Tzi Ma says he’s been a victim of such harassment. He was entering a grocery store in Pasadena, California, recently when he was confronted by a man in a car.”He looked at me straight in the eye and said, ‘You should be quarantined’ and took off,” said the veteran actor, who was born in Hong Kong but moved to the United States as a child. “I got very angry obviously, flush with this kind of cold in your body. And I started screaming at him, but he was way too far away for him to hear me.” Actor Alain Uy, a star of the upcoming Hulu series “Marvel’s Helstrom,” worried early on that such incidents would occur after the virus’ spread. “Once this outbreak happened in Wuhan, we all kind of went, ‘OK, we know what this is gonna mean,'” said the actor, who was born in the Philippines.”Crazy Rich Asians” director Jon M. Chu said he’s been feeling more cautious than usual.”It’s very sad when I feel a little bit weird when I’m going to go for a walk around the block,” he said. Jeannie Mai arrives at the 77th annual Golden Globe Awards at the Beverly Hilton Hotel on Jan. 5, 2020, in Beverly Hills, Calif.”The Real” co-host, Jeannie Mai, who is half-Vietnamese and half-Chinese, revealed recently that for the first time, she needed someone to monitor her social media posts to delete racist comments.”The Good Doctor” actor Will Yun Lee is even nervous about taking his baby son to the grocery store: “My wife is Caucasian, but my son is half Korean and half white. But he looks very Asian.”But Ma and other stars are speaking up and working to combat the ignorance and harassment. Ma joined actress Celia Au and other celebrities and influencers in the recent campaign called ” Wash the Hate, ” created by IW Group, an Asian American-focused marketing agency. The PSA features Ma, Au and others washing their hands and reminding people that hygiene, not xenophobia, is the way to help combat the virus. “If I can start the conversation, why not?’ said Au, who was also born in Hong Kong. “If we don’t talk about it, then it’s not going to be talked about at all.”For Cheng, the recent wave of anti-Asian sentiment brought back painful memories of her childhood growing up in Edmonton, Canada, where she was the victim of a bias attack as a teen.She went down an internet rabbit hole of attacks posted online. “I had to stop watching,” she said. “It brought up all those feelings again from being a kid and not being able to do anything.”Mai says that it’s not only important for Asian stars to speak out against these attacks, but people of other races as well. “These are the conversations you need to be having with your kids in your house. You need to, even if you’re not Chinese. You should be explaining that this is terrible, that racism is coming out of this pandemic,” she said. “So, have that talk with your kid. Have that talk with your friends. If one of your friends says, ‘Yo, this ‘Chinese Virus’ is crazy.’ Say, ‘No. Actually, man it’s called COVID-19. It’s not the ‘Chinese Virus.” Just check them.”Earlier this month, Bill Maher, host of HBO’s “Real Time with Bill Maher,” defended calling coronavirus the “Chinese Virus,” comparing it to the Spanish flu. “While people say it’s innocuous and that it came from China, it’s the undertones,” Lee said. “Certain people will grab those undertones and attach to it.” There’s also a worry that anti-Asian American sentiment could translate to a regression in Hollywood after recent success of telling Asian stories. Bong Joon Ho and the cast of “Parasite” pose at the 92nd Academy Awards in Hollywood, Los Angeles, California, Feb. 9, 2020.This year, the South Korean film “Parasite” won the best picture Oscar, and Chinese-American director Lulu Wang took home the Independent Spirit Award for her film, “The Farewell.” “Crazy Rich Asians” was a hit at the box office in 2018 and last year, Sandra Oh became the first Asian woman in 39 years to win the best leading TV actress Golden Globe for “Killing Eve.” “I worry, is this going to impact our chances so soon after it feels like we finally made inroads?” Cheng said. “Is this going to regress us and put us however many steps back?” Ma says the only way to proceed is to keep putting out diverse stories.”There’s no relenting. We’ll keep moving forward. And hopefully one day, people are going to say, ‘You know what? I not only accept the differences, but I also accept the fact that we’re very much alike.'” 
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Bidders this week will get the chance to drink coffee with Hillary Clinton, sing with Sting, or perform Shakespeare with Patrick Stewart — virtually. These and other prizes will be offered in an online auction to support the International Rescue Committee and its efforts to help refugees and others battle the coronavirus pandemic. Sotheby’s auction house and Google are sponsoring the auction to raise funds for the nongovernmental organization run by former British Foreign Secretary David Miliband. “As a global community, we are only as strong as the weakest link in the chain, and millions of refugees and displaced people are now facing a double emergency with the virus reaching their communities,” Miliband said.  Participants can also bid on a tea with former U.S. Secretary of State Madeline Albright, a conversation with comic actor Sasha Baron Cohen and a virtual tour of Highclere Castle, where the “Downtown Abbey” television series was filmed. Stars Hugh Bonneville and Elizabeth McGovern will be the personal tour guides.  The online auction runs May 1 through May 8.  
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“Star Wars: The Rise of Skywalker” will begin streaming on Disney Plus on May 4, about two months earlier than scheduled.  The Walt Disney Co. said Monday that “The Rise of Skywalker” will land on the streaming service timed to what’s referred to as “Star Wars Day” after the slogan of “May the Fourth be with you.” The release will give fans the option of streaming the full nine-part saga on the annual “Star Wars” holiday.  “The Rise of Skywalker” was released for digital rental and video-on-demand in March, so the timing of its streaming arrival isn’t unusual. The film, directed by J.J. Abrams, was the worst reviewed of the nine “Star Wars” installments, with a 52% fresh score on Rotten Tomatoes. It grossed more than $1 billion in its theatrical run begun on Dec. 20.During the pandemic, Disney has diverted several of its titles to its streaming service early for housebound viewers. It also sent “Frozen 2” and “Onward” to Disney Plus early, and plans to premiere “Artemis Fowl” on the streaming platform in May in place of a theatrical release. Disney Plus has accrued about 50 million subscribers since launching late last year.
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In party dresses or come as you are, with colored lights flashing in their bedrooms and teachers-turned-DJs spinning, high schoolers have turned to virtual proms to salvage at least one slice of fun and tradition for the Class of 2020.
And they’re getting help from familiar brands like Teen Vogue and Jack in the Box, with both serving as hosts to thousands of teens.  
Celebrities, too, are taking on prom: The “Get Out” actress Allison Williams was a guest DJ for Zoom partygoers in Baton Rouge, Louisiana, and “Jack Ryan” star John Krasinski was joined by Billie Eilish when he threw a prom live on YouTube.  
“It’s terrible that it’s happening to your class, but I hope you’re having a good time anyway,” Williams told about 100 teens, staff and guests April 16 at the prom hosted by the Baton Rouge Youth Coalition, an after-school program.  
The theme was “Royaltee,” an acknowledgement that while some kids had already bought their dresses before lockdown, others never got the chance and were welcome in T-shirts.  
On top, Williams sparkled in a strapless copper sequin dress, joking that she couldn’t get up and dance because “there are sweatpants happening.”
Alauna Stults, 17, in Findlay, Ohio, will wear a blue bedazzled two-piece outfit when she attends an online prom May 9 thrown by the party apparel rental service Charlotte’s Closet and an event planning site, My School Dance. Charlotte’s Closet is donating dresses to teens in need, including Alauna.  
“I was looking forward to prom,” she said. “I was pretty pumped up about it. I was planning on going with a group of my friends, but it’s really cool we can still dress up and do everything we would do for a prom, like doing makeup.”
High schools and cheer teams have thrown virtual proms of their own as social media has filled up with sweet moments among families. Dads have taken their dressed-up daughters for living room spins for a dance or two, and teens have organized home proms among parents and siblings.  
“Prom is definitely one of those bigger life moments when you’re growing up, even if you find it to be corny or not cool. It definitely still is something that’s a moment you look back on and remember,” said Teen Vogue Editor-in-Chief Lindsay Peoples Wagner.  
The site expects about 5,000 teens to attend its virtual prom May 16 on Zoom. Organizers are working with high schools around the country to set up separate rooms so kids can be with their friends as celebrity co-hosts pop in and DJs get busy.  
YouTuber Emma Chamberlain, H.E.R. and “Euphoria” star Storm Reid are expected.
“It will be really interactive, and that’s going to be the fun part of it,” Peoples Wagner said.
As part of a social distancing campaign, #StayInTheBox, Jack in the Box is working with schools in San Francisco, Los Angeles, Phoenix and Houston to put on a prom in May, complete with free food and delivery codes.
 
Serenity Cadogan in Covington, Georgia, near Atlanta is only 12, but she hosted a high school prom live on Instagram on March 31, which was National Prom Day, for more than 600 teens around the world, from Texas to London.  
“We wanted to brighten their day,” said the seventh-grader, who leads a chapter of Becca’s Closet, a nonprofit that donates free prom dresses to high school girls. “Everybody was really happy. It was really classy. I didn’t expect that many people but it actually ran pretty smoothly.”  
Ironically enough, at least one online school, the public K-12 Washington Virtual Academies, hosts an offline prom each year for the students it serves across the state of Washington. Not this year. Prom will be online, just like school.
“People have reached out to us saying, hey, how do we do a virtual prom? But that’s not something we’ve previously done, so we’re embarking on this adventure just like schools all over the U.S.,” said Summer Shelton, the head of school.
Offline, the school hosts prom in Tacoma, its home base. Students travel from as far away as Spokane to attend, staying in hotels. The date for Shelton’s virtual prom had not been finalized but will likely be in June. The school has about 500 juniors and seniors.
“This is one of the most looked-forward-to nights of the year,” Shelton said. “Right now they’re dealing with disappointment, understandably, but trying to move past disappointment and saying, OK, what do we do now to make this special?”
Donna Sheperis, an associate professor of counseling at Palo Alto University’s Los Altos, California, campus, sees other ironies for a tech-savvy generation missing out on prom.
“They also crave human connection,” she said. “They crave a chance to dress up and dance with their friends. They crave some time that’s just for them. And this year, they can’t get it.”
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